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| Framing Facts |
| Trust Experience Care |
| Glass 1. Regular Clear: basic glass; no protective qualities; no glare protection. 2. Regular Non-Glare: basic glass but with anti-reflection properties. 3. Conservation Clear: looks like regular glass but blocks UV light. 4. Conservation Reflection Control: level one, essential UV & Anti-glare protection. 5. Museum Glass: Nearly invisible glass with UV blocking and Anti-Reflection properties. 6. Masterpiece Glass: Premium UV and Glare control with superior anti-breakage properties....used by museums. |
| Master Picture Framers Conservators Restoration Specialists Artisans |
| "If it's worth framing at all, it's worth framing correctly .....the first time!" |
| Conservation Framing The use of materials that have been proven to protect and maintain art in as close to its original condition as possible. This includes: 1. Glass that protects against UV damage. 2. Artboards and other supplies which are free of all acids, lignins and other impurities found in ordinary "pulp" products, providing a mounting environment that is inert and ph neutral. 3. Careful adherence to proper handling procedures as outlined by the American Institute for the Preservation of Historic and Artistic Works |
| Framing Tips for Paper Never hang art in direct Sun. Always frame w/UV glass. Art should not touch glass. Always use acid-free materials. Don't trim art (exceptions exist) Store art in cool, dry place. Use conserv. hinges to attach. |
| Restoration Henson-McAlister uses its many years of education and experience to restore the use and function to vintage and historic objects (furniture, frames, art on canvas and panel, metal and sculpture. All work is performed in accordance with the Code of Ethics and Guidelines for the Practice of the American Institute For Conservation of Historic and Artistic Works. |
| Object Mounting Creation / Fabrication of custom structures to support non-framed items like sculpture, historic remnants, nostalgic memorabilia, sports collectibles, etc. |
| Lighting Generally, there are three alternatives (pictured below): Traditional, Contemporary, and Slim-Line. Each is available in various sizes. The size required is usually determined by a formula relating to the width and height of your artwork. The Lights can be mounted directly on the rear of the frame for the greatest convenience and flexibility. Or, it can be attached to the wall. Most people prefer to have electrical outlets installed directly behind the artwork, so that there are no visible electrical cords. Also, several finishes are available in all three styles. |
| Slim-Line |
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| Contemporary |
| Traditional |